Archive for May, 2010

The Surprising Life of Constance Spry

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The woman behind the rose named in her honor was a force of nature herself.  A successful social reformer and educator – Connie left home early to be schooled and escape her mother, she then spent her life distinguishing herself in two careers: social reform and floral decoration.  Some of her closest friends included Norman Wilkinson, Oliver Messel. Cecil Beaton, Beverly Nichols, John Gielgud, Charles Laughton and Syrie Maugham.  Connie was a risk taker.  From her unconventional arrangements and use of wild, dried and cultivated flowers, to her lifestyle – “living in sin.” She was not actually married at all to Mr. Spry during their time together, and even had a two year fling with the English artist, Gluck, a crossdressing lesbian.

While I would love to write more about some of Connie’s do’s – don’ts – favorite flowers – philosophy of arranging , etc…and when she set up shop in New York.  But, then you might not read the book, and then you would miss everything in between that Sue Shepard so painstakingly researched and wrote as if you were engaged in one long gossip with her about The Surprising Life of Constance Spry.

If  you love flowers, gardens, good biographies, social history…any or all of the above, call Archivia Books now, and order a copy.    (212) 570 9565 by phone.

Some Books By_

Hostess, by Spry & Hume (1961)

Rosemary Hume’s recipes, Lesley Blanch’s  illustrations, and written by Spry in her humorous, charming and direct manner.  A sample of each here…

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“It is not easy to define the quality by which one makes others feel friendly and happy at the very outset of a party, so that they, in their turn, can contribute to the general pleasure rather than count the time till it is not impolite to go home.  I believe in some degree it is this quality of warmth , and if you can infuse this into the reception and care of everyone of your guests – even the unexpected ones – you will do well.”

- Rosemary Hume

“Do make yourself master of the really quite simple technique of arranging flowers.  There is no problem and no mystery about it.”

- Constance Spry

“Steer clear of affectation and any form of stylizing that leads to the mangling of flowers: bear in mind the object of arranging flowers, which for most of us is the adornment of our homes.”

- Constance Spry

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Come into the Garden, Cook (1942)

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Garden Notebook (1940)

A combination of a successful lecture tour in the United States, her much talked about arrangements for the British Pavilion at the New York Worlds Fair, and her contributions to American magazines were the catalysts that prompted Mrs. Spry to create her Garden Notebook.  Written for an American audience, it was a monthly diary of garden notes – her thoughts, her successes – dotted with seasonal recipes and book suggestions.  In the final chapter, “Decorations and the Care of Cut Flowers,” Mrs. Spry shares all of her secrets, tips, preferences, opinions, and observations.  She is honest, generous, instructive and entertaining.

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Flower Decoration (1934)

“Mrs. Spry’s job is to provide what the French call ‘decor,’ and so we find the flowers, the vase, and the background all interdependent.” – Sir William Lawrence

Constance Spry_6“I think…it is best that I should say now, once and for all, that the suggestions given in these pages are offered with trepidation, and that if ever I sound a challenging or defiant note, it is in the hope of stirring up interest and argument in a subject which I think has languished, so that there may grow new ideas and efforts and thereby an increasing number of lovely ways of using flowers.”

– Constance Spry

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Our Work in Recent Books…

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Palladio & His Legacy

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The current exhibition at the Pierpont Morgan Library (running from April 2nd to August 1st, 2010) is the first time original drawings by Palladio have been exhibited in New York and the first time in the United States since 1982.  The exhibition of 33 original drawings clearly illustrates not only how Palladio translated the architecture of antiquity into his own language, but how his influence traveled and was adopted in England and the United States.  Charles Hind, exhibit curator says, Palladio “combined theory and practice in publications and buildings as no other Renaissance architect.”

The villas of the Veneto built by Palladio are based on the principles of simplicity and proportion.  A simple notion, it might seem, but Palladio proceeded in making architecture more democratic.

It would follow that Thomas Jefferson owned several editions of Palladio’s I Quattro Libri dell’ Architecttura (published in 1570), what he often referred to as “the Bible.”

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Many of Palladio’s drawings were acquired by Inigo Jones and carefully studied by him.  Jones was a stage designer until that time, and then became England’s first architect and responsible for Anglo-Palladianism.  Lord Burlington, another Palladian enthusiast, brought more original drawings into England.  His property passed to his daughter and heiress Charlotte and into the family of the Dukes of Devonshire. In 1894, the drawings were given to RIBA – the Royal Institute of British Architects, whose Trust is organizing this exhibition in association with the Centro Internazionale di Studi di Architecttura de Andrea Palladio, in Vicenza, Italy.

This exhibition illustrates how Palladio’s design principles of proportion, harmony and beauty made the journey from Vicenza to North America: from Colonial times to the current day, through southern domestic architecture, to Jefferson’s design for the White House and the Virginia State capital.  Models for the exhibitions were made by Timothy Richards and examples of his work can be purchased in the Morgan Library book shop, a must stop on the way out.

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“The Villas of Palladio also mark an important moment in the history of the home, the beginning of domestic architecture – that is, the beginning of architects’ interest in the private house.” Witold Rybczynski. (The Perfect House, Scribner 2003.)

The weekend after visiting the exhibition, I had a business trip to Virginia which included Monticello.  Much more on that in a story in June…  Before leaving the area I went to visit the ruins at Barboursville;  Jefferson’s adaptation of Villa Barbaro in Treviso was the inspiration for Governor Barbour’s mansion.  Tragically, on Christmas day 1884 the house burned to the ground.  Its brick ruins currently protected by the owners, the Zonin family, of
Barboursville Vineyards.

Jefferson’s design embodied a number of his renowned signatures — the integration of the structure into an elevated knoll, the dome (not erected), and an octagonal room at the focal point of the wings of the house. Here, the octagon forms a core for the three stories of the house; from the main level it rises as one room, 2 stories high. The grandeur of this room, projecting from the south facade, lends power and elegance to the house.

Four ionic columns announce the porticos front and rear, flanked by symmetrical wings revealing time worn brick and an octagon standing roofless.  Ruins have a haunting romantic quality.  They are also intellectually puzzling as you attempt to reconstruct the house in your head, what was the floor plan, where was the staircase, what was the view from the porticos and on…

Photos of the ruins are on C’est Inspiré.

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Websites and Info

The Morgan Library & Museum
Palladio and His Legacy: A Transatlantic Journey
225 Madison Avenue at 36th Street
New York, NY 10016
Ph. 212-685-0008

Exhibition runs April 2 through August 1, 2010.

Timothy Richards
Model maker
Different types of models and each can be adapted to the customers’ needs. It is possible to produce a small limited edition run of models or one piece. Models may vary in size between six inches high to three foot high. Costs will vary depending on size, complexity and the number to be made.
Models available for purchase in the Morgan gift shop.

Barboursville Vineyards
17655 Winery Rd.
Barboursville, VA 22923

Winery and Visitors center
Ph. 540-832-3824
M-Sat 10:00am-5:00pm
Sun 11:00am-5:00pm

Books

Palladio and his Legacy: A Transatlantic Journey, Editors Charles Hind and Irena Murray (Available at the Morgan Library and Museum.)

Palladio, by Giovanni Giaconi

The Four Books of Architecture, by Andrea Palladio

Palladio Beltramini, by Howard Guido and Burns

Palladian Style, by Steven Parissien

The Perfect House, by Witold Rybczynski

The Perfect House

Design on a Dime 2010

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Decorating Ideas for Days…

We focused on the walls – all types of art and what to do with it.

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And that is just the beginning – BE THERE.

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Charlotte and James Huniford promote Design on a Dime on morning TV

For More Information, Please Visit Housing Works’ Website.

Participating Designers:

Alan Tanksley
Asler Valero
Beale-Lana
Bob Richter
Boffo-NY
Brad Ford ID
Brett Design
Buzz Kelly Interiors
Calypso
Cannon for Kmart/Sears
Country Living for Kmart/Sears
Charlotte Moss & Co.
Daniel M. Pafford
De La Torre Design Studio
Dean & Deluca
Derek Warburton
Eldon Wong
Flair
Frank Hodelin
Gabriel de la Portilla
Huniford Design Studio
Jaclyn Smith for Kmart
Jamie Drake
Jarret Yoshida
Joshua Ingraham Design
Juniper Tedhams
Kim Hull
Kristen McGinnis
Larry Laslo for Decor Insider
Laura Bohn Design Associates
Laura Kirar for Traditional Home
Luis Caicedo
Mark Stephen
Michael Bagley
Miles Redd
Nathan Egan Interiors
Nathan Thomas
Oskar Torres
Peter Som for Sferra
Steven Sclaroff
Steven Gambrel
Suzan Piovaty and Lori Weatherly
Thomas Cooper Design
Todd Romano
Ty Pennington for Sears
Yetta Banks for MTV Networks

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Architecture of Design

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“I always venerate dance and music as the highest art.  Why?  Because they happen and you cannot catch them – they happen in an instant.  Being an architect you are accustomed to designing buildings which stay there for a while, but being able to work on things which are as ephemeral as this hour of performance is really something wonderful.” – Santiago Calatrava

Renowned for its commitment to new work, New York City Ballet has premiered more than 300 original ballets since relocating to Lincoln Center in 1964.  Following in that tradition, NYCB Ballet Master in Chief Peter Martins has designed a groundbreaking spring season, Architecture of Dance, specifically created to honor the 50th Anniversary of Lincoln Center.

Seven new ballets, featuring new choreographers, and four commissioned scores from some of the world’s leading artists premiere over eight weeks alongside a hallmark collaboration with award-winnng architect Santiago Calatrava.

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Please visit the New York City Ballet website for the complete 2010 Season Schedule.

Online ordering has never been easier.

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Festival Events

Special events this season include a discussion with Calatrava and Ballet Master Peter Martins on their collaboration, led by NY Times reporter Robin Pogrebin, as part of the series TIMESTALK, which took place at The TimesCenter on May 6th.

NYCB Musical Director Faycal Karoui will join composer Thierry Escaich and Benjamin Millepied for a discussion and excerpts of their work as part of GUGGENHEIM WORKS & PROCESS: NEW DANCE/NEW MUSIC May 23rd & 24th.  For more information please call the Guggenheim box office at (212) 423-3587.

NYCB also hosts CLOSE-UP EVENTS throughout the season – visible on the NYCB website.

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