Archive for August, 2009

Women in the Kitchen? You Bet!

“You’ll be drooling over Julie & Julia!”

- Rex Reed, The New York Observer

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The new hit film “Julie & Julia”, starring Meryl Streep as Julia Child,  is causing quite a “stir” around the country – stirring up fun, prompting “bring a dish get-togethers,” and reminding us that butter is a necessity!  Child was a visionary woman with discipline, desire and the guts to take the lobster by the tail.  And Streep plays her to perfection, expertly inhabiting her characteristic voice, gestures and iconic self-confidence as she turns out culinary pearls….  As Savarin writes “To know how to eat is essential to knowing how to live.”

And live it up we do at my house in East Hampton every year.  Last week and every year, my family descends on my country home, where there is fun, relaxation and of course…family dinners!  Only with the help of chef Mark Sanné, who has worked for me on all such occasions for – I can’t believe it, 17 years!  My sister Martha, who is an avid cook (caterer and private chef in a previous life), always contributes.  This year she made white peach cobbler and blueberry cobbler from my mother’s original recipes.  Have you ever had blueberry cobbler à la mode for breakfast?   My husband has….

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Julia Child understood the power of good food, as do many women who have written on the subject.  Among them Lesley Blanch (Around the World in 80 Dishes), the prolific Elizabeth David, who sums up her love of cooking most perfectly in An Omelette & A Glass of Wine, and MFK Fisher (The Gastronomical Me, Consider the Oyster, The Art of Eating).  These women understood that the arts of living embrace an understanding and appreciation of decorating, fashion and good food, combined with hospitality.the-gastromonical-me

In her introduction to The Gastronomical Me, MFK Fisher writes -

“People ask me: Why do you write about food, and eating and drinking?  Why don’t you write about the struggle for power and security, and about love, the way others do?

They ask it accusingly, as if I were somehow gross, unfaithful to the honor of my craft.

The easiest way to answer is to say that, like most humans, I am hungry.  But there is more than that.  It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others.  So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it, and the hunger for it…and then the warmth and richness and fine reality of hunger satisfied…and it is all one.”

Simply serving food to eat is a bore.   One of the best parts of cooking, dining and entertaining for me is creating a beautiful presentation at the table.  Setting the table for two or twenty is everyday decorating, an opportunity to create something beautiful, however simple or elaborate as you choose to be.

When I travel, I am always looking for beautiful things for my table.  On a recent trip to Italy, I went straight into Milan after a long overnight flight to several shops, including G. Lorenzi.  Lorenzi has the most gorgeous implements for the dining table, writing, shaving, knitting, you name it!  The selection is broad – mother of pearl, horn, bone, bamboo, bronze, forged steel, carved wood – all of it DELIZIOSO!

All collections develop over time.  Whenever I find myself in a flea market or a country antique fair, even if I am on the hunt for a specific thing, one must always be prepared to expect the unexpected.  Stay open-minded, be spontaneous, consider things with possibilities – and above all, enjoy the hunt.

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Some Wit & Wisdom on Cooking, Eating & Entertaining -

“Food must be succulent, nutritious, properly balanced, and as pretty as one can make it.  We eat with our eyes, you  know, and you can’t starve them.” – Van Day Truex

“In my philosophy of food, the perfect meal is the short meal, and at every meal there should be a surprise – a dish that, if possible, is a new dish presented in a new manner. We have tables with different size tops, and we choose colors, table linen, and china to suit the moment.” - Fleur Cowles

“Etiquette means being thoughtful.” - Joan Rivers

“If you accept a dinner invitation, you have a moral obligation to be amusing.” - The Duchess of Windsor

“Dining is and always was a great artistic opportunity.” – Frank Lloyd Wright

“One cannot think well, love well, sleep well, if one has not dined well.” - Virginia Wolff

“A hostess must be like a duck – calm and unruffled on the surface, and paddling like hell underneath.” – Anonymous

“A host is like a general – it takes a mishap to reveal his genius.” - Horace

AND A FEW LAUGHS, TOO -

“Vegetables are interesting but lack a sense of purpose when unaccompanied by a good cut of meat.” – Fran Lebowitz

“Anyone who believes for one second that the nouvelle cuisine has had any impact on the way Americans eat in their homes is crazy.  It  has nothing to do with anyone except possibly ten people who have chefs and are silly enough to think raspberries go with meat and kiwi with shrimp.” - Nora Ephron

“If you throw a lamb chop in the oven, what’s to keep it from getting done?” -Joan Crawford, in the movie The Women

“Reminds me of my safari in Africa.  Somebody forgot the corkscrew and for several days we had to live on nothing but food and water.” – W.C. Fields

“A gourmet who thinks of calories is like a tart who looks at her watch.” – James Beard

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As quoted in Monday’s NEW YORK TIMES (8/24/09), Nora Ephron said,

“This was a secret dream, that the movie would sell a lot of books… I’m completely delighted that people are walking out of the multiplex and into the bookstore.”

AND WHAT COULD BE BETTER?

AVEDON ON MUNKACSI

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Carmel Snow’s prophetic words would within a few short years be held true, for in those early photographs at Harper’s Bazaar, she saw the hallmarks of what would become Richard Avedon’s style. Original prints, negatives, and notebooks that inspired Snow’s prediction are displayed alongside Bazaar issues form the 1940’s at The International Center of Photography’s exhibition, Avedon Fashion 1944-2000. Separated into three galleries chronicling the periods 1944-1949, 1950-1959, and 1960-2000, we begin to see Avedon’s technique mature, while his friendships with creative figures such as Chanel, Christian Berard, and Rudolph Nureyev blossom.

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The earliest photographs are impressive as (even till today) they convey a ‘fresh’ quality in their graphic simplicity, and rather dynamic use of repetitive and radial shapes. In, ‘Renee, The New Look of Dior’, (Paris, August 1941) we see the outline of a sumptuously pleated skirt twirling against the Place de la Concorde’s rigid grid of stone pavers, meanwhile casting pools of mink grey shadows.
Another striking piece, a film strip taken at a Long Island beach, involves a young Elsie Daniels-esque model kneeling at the water’s edge beside a flock of birds. Within a few short slides we see her arms raise, head tilted toward the sun, smiling, while the birds flutter away as if light scattered through a prism. Here, all the traits of an Avedon work are evident; an outdoor environment, natural light, spontaneity, sanguinity, and sensuality.  The influence of Avedon’s mentor, Martin Munkacsi, photojournalist and Bazaar head photographer during the 1930’s-40’s was paramount and particularly noticeable here through the use of a seascape and the model’s sincere expression.  In regards to Munkacsi, Avedon is quoted as saying, “He brought a taste for happiness and honesty and a love of women to what was, before him, a joyless, loveless, lying art. Today the world of what is called fashion is peopled with Munkácsi’s babies, his heirs…. The art of Munkácsi lay in what he wanted life to be, and he wanted it to be splendid. And it was.”

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Visitors are treated to further visual delights in one room entirely devoted to scenes photographed in Maxim’s rich, art nouveau interior and pool hall tableaux. Dramatically lit we see our favorite cohort of models; Dovima, Carmen, Audrey Hepburn and the omnipresent Sunny Hartnett, draped in gowns by Gres and Givenchy. Lit with such reverence, one feels as though they’re viewing Medieval illuminated manuscripts at the Morgan Library. Passing through this space one can’t help but wonder whether these pieces were inspired by the work of fellow Bazaar photographer Louise Dahl-Wolfe. This is for the viewer to discern.
In the last room we begin to see Avedon adapt to changes in printing techniques and technological developments. Photographs of Antonela Agnelli, Veruschka, and Penelope Tree line the walls, and while large in scale, this merely contributes to abstracting their features and emphasizing  an almost chiaroscuro lighting effect.  These photographs and many more taken throughout Avedon’s prolific career create for a rich meal that is surely not to disappoint, a belief Ms. Snow would attest to be true.

- Written by Charlotte Moss Staffer, Ross Alexander

Avedon Fashion: 1944-2000, May 15th – September 20th

International Center of Photography
1133 Avenue of the Americas
New York, NY 10036
(212) 575-5333

Hours:
Tues: Thurs: 10:00 am–6:00 pm
Friday: 10:00 am–8:00 pm
Sat–Sun: 10:00 am–6:00 pm
WWW.ICP.ORG

READING LIST: Some Recommendations….

A Dash of Daring: Carmel Snow and her life in Fashion, Art, and Letters,by Penelope Rowlands
Diana Vreeland, by Eleanor Dwight
The Fashionable Savages, by John Fairchild
The Kennedys: Portrait of a Family, by Richard Avedon
Alexey Brodovitch, by Gabriel Bauret
Richard Avedon: Made in France, by Judith Thurman

The Couture Council's Summer Cocktail Party

At a luncheon September 9th at Cipriani 42nd Street, The Couture Council at FIT will present its 2009 Artistry of Fashion Award to designer Dries Van Noten.  Charlotte hosted the annual Couture Council summer party last week in her garden.   Here are some snapshots from the event….

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The New York Social Diary, by David Patrick Columbia, gave us some good ink…and a few more bloggers as well I’m sure….

For more information on the 2009 Artistry of Fashion Award Luncheon, join the FIT Couture Council.

The Couture Council’s Summer Cocktail Party

At a luncheon September 9th at Cipriani 42nd Street, The Couture Council at FIT will present its 2009 Artistry of Fashion Award to designer Dries Van Noten.  Charlotte hosted the annual Couture Council summer party last week in her garden.   Here are some snapshots from the event….

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The New York Social Diary, by David Patrick Columbia, gave us some good ink…and a few more bloggers as well I’m sure….

For more information on the 2009 Artistry of Fashion Award Luncheon, join the FIT Couture Council.

To Be An Icon

As part of its 20th anniversary celebration, Traditional Home magazine has named the top 20 design icons of our time, and included Charlotte among them.  While we can only agree with their sound judgment, we are pleased to find ourselves in such esteemed company!

This is something to aspire to, encouraging young designers to stay the course.

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The Complete List:

Ralph Lauren

Barbara Barry

Margaret McCurry

Mario Buatta

Charlotte Moss

Nina Campbell

Oscar de la Renta

Dan Carithers

John Saladino

Clodagh

Michael S. Smith

William Diamond & Anthony Baratta

Robert Stern

Jamie Drake

Kelly Wearstler

David Easton

Bunny Williams

Mariette Himes Gomez

Vicente Wolf

Albert Hadley

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More information is available on the Traditional Home website.